Friday, 26 February 2016

The 1975 - The Sound

The 1975 - The Sound

New Single



So The 1975 have dropped yet another single on the release of their second album, 'I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It' (yes, that seriously is the name). I would review the album, but seeing as it's not on Spotify until the 11th March, and I'm not spending any money on this band, I'll leave that till then.

I paused Dr Strangelove so as to watch and review this song. Was it worth it?

No.

The song itself is yet another jingly indie pop tune, sounding pretty much the same as previous stuff, if slightly more upbeat. It'll quite happily satisfy The 1975's fanbase, and annoy the hell out of everyone else with its attempt at an 80s throwback sound. While not a direct rip off of anything in the same way 'Love Me' was to 'Fame', the song sounds like one you've heard a thousand times before and have long since grown bored with.

The video is probably trying to make us sympathise with the band, or perhaps it's satire that has totally missed the mark? Either way, the criticism offered in the video pretty perfectly sums up the band. Pretentious, unconvincing emo lyrics, and genuinely laughable.

Watch the video below, if you feel you absolutely have to.


Monday, 15 February 2016

Catfish and the Bottlemen - Soundcheck

Catfish and the Bottlemen - Soundcheck

New Single



Another mediocre, all black wearing indie band make their return

Sounding exactly like every other Catfish and the Bottlemen song, this is yet another forlorn, bland indie love song that is trying to make itself into a stadium anthem. Not forgetting the mentions of smoking, small towns etc, the fact we far from need yet another Oasis sound alike band seems ignored by Catfish and the Bottlemen. Van McCann himself mentioned that the song was one they rehearsed quickly, something that definitely comes through in the song. Repetitive is possibly the kindest way to describe it, Maybe something of a song that will grow on you, but more likely than not it'll sound even more average the more it's heard

I would write more, but honestly this track was so incredibly dull I spent the duration of it being distracted by clickbait articles.

I normally put a link below, but it's really not worth your time.





Monday, 1 February 2016

Where The Light Gets In - Primal Scream, Sky Ferreira

Where The Light Gets In - Primal Scream, Sky Ferreira


Primal Scream and Sky Ferreira have teamed up together to give some indie cheer to this coming month.

Slightly psychedelic, Bobby Gillespie voice still hold up as ever on this timeless sounding track, but the addition of Sky Ferreira's almost melancholic vocals really set this song ahead. Maybe not a track to immediately fall in love with, but definitely one that will grow on pretty much any listener.

Where The Lights Get In marks the first Primal Scream release since 2013. New album, Chaosmosis, will be released 18th March this year.

Listen to the track below:




Monday, 11 January 2016

"He's Chameleon, Comedian, Corinthian and Caricature"

"He's Chameleon, Comedian, Corinthian and Caricature"

An ode to David Bowie



It was only on Friday that I was joking with a friend that, sure David Bowie was probably some sort of immortal extraterrestrial being, he'd likely outlive us 18 year olds. With a heavy heart I realised how wrong we were this morning as I checked my twitter feed - the Starman is dead, ground control can no longer reach Major Tom. The world felt an awfully empty place as I wept bitterly before having to leave for school.

Everything Bowie did felt so iconic. He was a walking artistic masterpiece, constantly reinventing himself, the master of change.His hearts and minds reached out to the hearts and minds of countless people for over 50 years, and will continue to do so for long afterwards, Few artists have had the longevity Bowie has had, and still be able to come out with chart topping songs and albums, Most bands of the 60s and 70s gave up on putting out new music around the mid 90s, choosing instead to feed off nostalgia, something to which Bowie never succumbed.

But even I, someone born at the death of the last millennium, listen to Bowie's music, it's hard to escape how timeless it feels. The emotions purveyed still ring true and feel relevant today. Many of his albums were released long before my birth, but listening to Rebel Rebel now, it still strikes a chord within me, Timeless music that transcends the decades is so rare to find, yet Bowie perfected this art.

The bands and singers Bowie has influenced, and will influence years from now, are immeasurable. His influences (as showcased particularly on his 1973 cover album Pinups) have inspired and broadened the music tastes of many too. In my own case, were it not for seeing his cover of White Light/White Heat, it would've taken me much longer to ever come around to hearing The Velvet Underground.

It's impossible for me, or anyone, to measure the impact David Bowie has had on music, and pop culture in general. I was raised on his music, thanks to both of my parents, My dad spent much of my childhood talking about Ziggy Stardust and David Bowie to me (I would be seven before I figured out that they were the same person), dissecting in depth each lyric and instrumental.

I would be 12 before I truly explore Bowie for myself, seeing him perform Starman on a Top Of The Pops rerun. His bright orange hair and porcelain white skin made him look totally alien to me, dressed in a skintight leotard. I was mesmorised, I was obsessed, I stole all the albums of his my dad had and listened to nothing but him for days on end. (It was around this time a I also first watched Labyrinth, and found myself confronted with the infamous 'Bowie Bulge'. Love still prevailed)

At 16 I got a record player for my birthday, and with it I explored every record my parents still had while I waited to save up for a few of my own, Every Bowie album up until the mid 80s was now at my fingertips, in perfect condition. This included a copy of Station To Station that traveled from Turin to Dublin under my dad's arm in 1982, unscathed despite the long journey, flight delays and snowstorms in both Italy and Ireland. Afternoons were spent lying on my bed, doing naught else than catching up on almost fifty years of musical history.

It's hard to explain the importance of Bowie in my life, or in anyone else's for that matter, He was an outsider, a total alien (quite literally, as The Man Who Fell To Earth proved). There was unity, a sense of belonging in his music that appealed to my teenage self. There's nothing more comforting than hearing a mantra of "you're not alone" blaring through your ears during those dark teenage years.

But ultimately, as the world was cruelly reminded this morning, even gods can be mortal. It's unlikely the world will ever see the likes of David Bowie again, and it is far the worse for his loss. But the curtain must close sometime, and the lights must come back on eventually.


"Perhaps you're smiling now,
Smiling through the darkness"

David Bowie
8/1/16 - 11/1/16
RIP 

Saturday, 26 December 2015

Spectre - Radiohead

Spectre - Radiohead


Radiohead were originally asked to record the theme song for this year's James Bond film, Spectre. They were passed over in favour of Sam Smith, but now the song is up online for all to hear.

Radiohead's first release since 2011's The King of Limbs, the song is haunting, showcasing Thom Yorke's ever ethereal vocals. A gentle piano based piece with an epic feel, the song is the ultimate Christmas present for any Radiohead fan, and hopefully points in the direction Radiohead will be heading in with their next album.

Listen to it below.






Friday, 4 December 2015

Loose Tapestries - Can't Wait For Christmas

Loose Tapestries - Can't Wait For Christmas

ft Idris Elba


Loose Tapestries have made a reappearance just in time for a Christmas tune, which is every bit as surreal as you'd expect from a collaboration between Mighty Boosh's Noel Fielding and Kasabian's Sergio Pizzorno.

To sum up Can't Wait For Christmas, it's somewhat like a bizarre, psychedelic mistletoe nightmare. In the opening verse, there's much reference to Christmas stereotypes, before getting downright weird, as one can imagine from the co-creator of beings such as Old Gregg.

Working hard on your body on your new exercise bike, snowball fights with local hard men, rubbing through soot in a naked frenzy, and that's all before Idris Elba joins in with his verse on various undergarments.

Utterly confusing and wonderful, but what else would you expect from Loose Tapestries? A must listen this Christmas season.

Thursday, 3 December 2015

TLSP - New Album Announcement


The Last Shadow Puppets - New Album Announcement

TLSP, circa 2008

Seven years on from the release of their debut album, Miles Kane and Alex Turner's collaborative effort The Last Shadow Puppets have finally made an official announcement regarding new material.

Whilst it had already been all but confirmed by the album's producer, James Ford, earlier this year, the teaser video (below) leaves no doubt that an album has finally come to fruition.

A bizarre, technicolour nightmare, the teaser promises to maintain The Last Shadow Puppets retro 60s vibe, but with a decidedly more American feel, much like Alex Turner's own Arctic Monkeys went for a few years back. Will it live up to the standard set by The Age of the Understatement? Only Spring 2016 will tell.