Friday 25 September 2015

Mothers - Swim Deep (Album Review)


Swim Deep - Mothers

Album Review



One Great Song And I Could Change The World opens Swim Deep's second venture, introducing us to their new, re-imagined selves, followed by To My Brother still sounds as fresh as it did upon first release last March.

The singles sound as good as ever on the album, but they aren't the only standout tracks.Third track, Green Conduit softens things up slightly and slows down the pace before hitting a thumping chorus and an ending of pure distorted pandemonium, reinstating that the indie pop days are over for Swim Deep, just in case there was any doubt.

Forever Spacemen is definitely on the more out there side of things - drifting and melodious, it gives off a certain sci-fi vibe that works in its favour. Namaste is really the only song that yearns back slightly to Swim Deep's previous sound but doesn't hold the album back, instead adding a more pop-y relief between the distortion and meandering ways of Heavenly Moment and Is There Anybody Out There.

Fuehio Boogie closes the album on an uplifting eight minute sprawl of frantic and dreamy sounds, bringing to an end what is undoubtedly a far more solid effort than Swim Deep's first album, Where The Heaven Are We, back in 2013. While the album does have some slightly weaker moments, the overall impression is a seriously favourable one, and shows a more grown up and evolved Swim Deep

9/10


Sunday 20 September 2015

Lana Del Rey - Honeymoon (Review)

Lana Del Rey - Honneymoon

Review


Lana Del Rey's efforts in Honeymoon are far more impressive than that of previous album, Ultraviolence.

With a self acknowledging opening line (We both know / It's not fashionable to love me), Lana welcomes us into her Honeymoon - a brooding but uncaring affair, that sounds effortless. Even in songs like God Knows I Tried, Lana still sounds as cool whilst expressing disdain and tiredness.

Still holding that ethereal air to her, Lana has managed to produce an album that sounds rooted in her 50s/60s aesthetic that flows perfectly as a solid body of work.

Album closer, cover of the Nina Simone classic Don't Let Me Be Misunderstood, is a particular highlight, which seems to surmise the albums mood as a whole.

Whilst still not quite as strong as her debut album, Lana Del Rey has managed to produce a solid album that is more than worth a listen.

8/10



Too - FIDLAR (Album Review)

FIDLAR - Too

Album Review


FIDLAR's second album is like the morning after of the party that was their first album. The drugs and alcohol are still as omnipresent as ever, but now the consequences are there to be seen.

40 oz On Repeat opens the album with a bang and introduces you to the roller coaster that is Too. Album highlights include Overdose, a far softer song than FIDLAR have ever produced before. Inspired by lead singer Zac Carper's experience of overdosing three times in a month, the song is probably the most obvious example of the darker undertones now present in FIDLAR's work.

That's not to say it's all miserable now - songs like West Coast and Sober give the album the same level of life as their self titled debut, if more well-produced.

The final song on the album, Bad Habits is a perfect closer to summarise the sentiments of this album, with a catchy guitar hook and a chorus anyone can scream along too.

9/10