Thursday 12 May 2016

The Stone Roses - All For One

The Stone Roses - All For One

New Single



Twenty two years on from the release of Second Coming, Manchester's The Stone Roses have returned, and the relieving news is, the song is excellent.

While the lyrics may get a bit repetitive with a mantra of "All for one / One for all," whatever is lacking lyrically is more than made up for in Squire's guitar riff. A heavily late 60s inspired tune, the song is a new direction for The Stone Roses, but retains their Madchester roots. Catchy and uplifting, The Roses have produced a song that could potentially soundtrack this summer.

Was the song worth the two decade wait? For that guitar riff, arguably yes.

Feel free to judge for yourself:



The band play Marlay Park 9th July 2016

Tuesday 3 May 2016

Radiohead - Burn The Witch

Radiohead - Burn The Witch

New Single



After two days of fading websites, deleted tweets, creepy postcards being sent to fans and all the internet hype you could want, Radiohead have finally put forward a new single.

Burn The Witch is the latest single from the Oxford band, being the first off their ninth album, Dawn Chorus. A haunting orchestral piece that seems uplifting, but with eerie undertones, Burn The Witch is a four minute epic, building to an unsettling climactic ending.


This is no ode to a tree, instead Radiohead have returned to their old ways of playing on our paranoia, with such uplifting lyrics such as "Avoid all eye contact / Do not react / Shoot the messenger". Tense pizzicato strings highlight that this is "a low flying panic attack."

The video is a cheery cross between Wallace & Gromit and The Wicker Man (the 1973 original that is - not the Nicholas Cage remake). With pretty pastel colours and gallows, the video is as essential as the song it compliments.

Do your soul a favour and listen to this song below



Thursday 28 April 2016

Cat's Eyes - Be Careful Where You Park Your Car

Cat's Eyes - Be Careful Where You Park Your Car

New Single



Bitter breakups and dysfunctional relationships seem to be a recurring theme in Cat's Eyes' music, as this 60s girl group inspired track continues the theme from previous singles, Drag and Chameleon Queen.

Arguably more accessible than previous singles off the band's second album, the song wears it's 60s influences on its sleeve, but with an angry edge to Zeffira's voice. The clap track and repetition of lyrics make this a catchy, enjoyable listen as Rachel Zeffira tells us we "looked a little too happy when we saw her cry"

Listen below




Sunday 17 April 2016

Ezra Furman - Songs By Others

Ezra Furman - Songs By Others

Record Store Day 2016 Release


For Record Store Day 2016, Ezra Furman & The Boy-Friends put out this covers album, which proved to be a worthwhile investment for anyone who got their hands on it. The release features seven covers by Furman of various diverse artists spanning several decades, from Little Richard to Arcade Fire.

Covers albums can be pretty hit or miss, but this definitely falls into the 'hit' category. The songs are perhaps at their best when it's just Ezra Furman and his guitar, on his takes of LCD Soundsystem's 'I Can Change' and The Replacements' 'Androgynous'. Both posses a soul-aching, stripped back beauty to them, that make them the standout tracks of the album. A live version of Jackie Wilson's '(Your Love Keeps Lifting Me) Higher And Higher' proves an uplifting euphoric ending to the record.

While not all the songs on this release are perfect - 'Good Book' proves to be pretty forgettable, while a cover of Beck's 'Devil's Haircut' is only so so - the good far outweighs the mediocre. If it's still hanging around in a record shop near you, it's absolutely worth parting with your money for.

8/10


Monday 14 March 2016

The 1975 - I Like It When You Sleep For You Are So Beautiful Yet So Unaware of It

The 1975 - 
I Like It When You Sleep For You Are So Beautiful Yet So Unaware of It
Album Review



For this review, I put aside my previous feelings for The 1975 to give it an honest listen. Even with the slightly predatory name, I was willing to give The 1975 yet another chance.

To begin with, there's a pretty obvious reason why the singles are singles - they're the sort of thing anybody would happily and drunkenly dance to. The instrumental of the singles and some of the other album tracks are pretty fun and enjoyable (if you can get past Matty Healey's nasal drone - the man should seriously consider a career as a sean nós singer).

The lyrics aren't clever, but for the most part they won't give you secondhand embarrassment. Exceptions to this are song names such as 'Please Be Naked', not to mention the title track itself. (To give Please Be Naked its dues, there's no actual lyrics in the song, but the title is pretty godawful for what is a surprisingly good song). They tread the same trakcs as before - sex, in love, out of love, repeat.

The album slows down, it speeds up, it's a pretty paint by numbers affairs. There's a nice piano ballad (Please Be Naked), impressive female backing vocals (A Change of Heart) and even some cool jazz-esque stuff (If I Believe You). Borrowing from those before you isn't a bad thing, given it's pretty hard to be totally original in music, but nothing about this album feels fresh. It doesn't borrow from other songs, it just takes a song and puts a new name to it.

Many of the songs feel like covers of songs released long beforehand. Love Me is an absolute Fame rip-off but in the grand scheme of this album it's pretty good okay - not cause it's a good song, but putting it up against the rest of the album. However, the song is literally Fame. If you wanna hear this song but better, just go listen to Fame by David Bowie. A Change of Heart is a slower version of the opening to Bloc Party's I Still Remember, so much so I felt a certain shock when I didn't hear Kele Okereke's vocals come it,

Album highlights are easily the singles - Love Me, UGH!, The Sound, Somebody Else and Change of Heart, who stand out based on the fact they don't totally bore you to death. Please Be Naked is surprisingly good, and If I Believe You can probably be redeemed in the sense that it's not totally uninspired. The rest of this album is perhaps best avoided if you aren't much of a 1975 fan. At seventeen songs long, the album feels less like an enjoyable experience and more like an endurance test. By the 9th song, you'll be wondering why you didn't turn this off long ago.

If I Like It When You Sleep For You Are So Beautiful Yet So Unaware of It has proved anything, it's that The 1975 are excellent at ripping off decent bands and musicians. Middling of the road at the best, it's not necessarily that the album is bad per say - it's simply a case that you've heard every single song done a thousand times before. Nothing new is being brought to the table, and so the album struggles to hold attention. The songs aren't bad, just bland.

3/10

Thursday 10 March 2016

Last Shadow Puppets - Everything You've Come To Expect

 Everything You've Come To Expect
Last Shadow Puppets - New Single

The latest single from Alex Turner and Miles Kane's Last Shadow Puppets is a hazy, 60s influenced song that couldn't be in greater contrast to first single 'Bad Habits'

The song reflects the shift of Turner and Kane's influences from English music to that from across the Atlantic - lyrics such as 'Hotel room / Holy Bible' definitely holds imagery which would be far more associated with America than Sheffield or Liverpool.

The song is a retrospective, hazy sounding tune, featuring vocal harmonies between both Turner and Kane,as opposed to the solo vocals from Miles Kane that featured on Bad Habits. with strings featuring towards the middle of the song, it sounds sun soaked, like a lazy summer's afternoon (for want of a more original simile).

It may not sound like their first album, but with eight years between The Age of the Understatement and Everything You've Come To Expect, and the change in sound of the artists themselves, it was bound to happen. Still strange to think that one of the musicians behind this song penned Fake Tales of San Francisco, but an excellent song nonetheless.

The song is absolutely worth a listen, and is fairly essential for any fan of Arctic Monkeys and/or Miles Kane

Listen below:


Tuesday 1 March 2016

Cat's Eyes - Drag

Cat's Eyes - Drag
New Single


The second single released ahead of second album, Treasure House, Drag is an endearing song that lands somewhere between 60s girl group pop and dream pop.

Rachel Zeffira's vocals float effortlessly over an array of classical instruments in a song about a perhaps less-than-advisable-love. Zeffira's vocals sound as heavenly as ever, over elegant woodwind and piano.

Even if the song isn't a huge leap forward stylistically for Cat's Eyes, and would sound totally at home on 2012's debut, it's still a dreamlike experience to hear.

EDIT:

Well, if there were any doubts about the implications of an abusive relationship in the lyrics, the video certainly left nothing to doubt about.

Watch the rather interesting and violent video below:





Cat's Eyes album 'Treasure House' comes out 3rd June

Innerspace Orchestra - One Way Glass

Innerspace Orchestra - One Way Glass

New Single


'One Way Glass' is the debut single by recently formed indie supergroup of sorts, Innerspace Orchestra. The band consists of Rose Dougall (The Pipettes, Mark Ronson), Cathy Lucas (Fanfarlo) and Tom Furse (The Horrors).

The single features dreamlike synths and Eastern inspired strings, that rise and fall under the ethereal vocals of Dougall. Dream pop to the core,  the instrumental parts of the song certainly wouldn't sound out of place on a Horrors album, but with a solid debut single Innerspace Orchestra are certainly a band to watch.

Listen to the track below:


Friday 26 February 2016

The 1975 - The Sound

The 1975 - The Sound

New Single



So The 1975 have dropped yet another single on the release of their second album, 'I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It' (yes, that seriously is the name). I would review the album, but seeing as it's not on Spotify until the 11th March, and I'm not spending any money on this band, I'll leave that till then.

I paused Dr Strangelove so as to watch and review this song. Was it worth it?

No.

The song itself is yet another jingly indie pop tune, sounding pretty much the same as previous stuff, if slightly more upbeat. It'll quite happily satisfy The 1975's fanbase, and annoy the hell out of everyone else with its attempt at an 80s throwback sound. While not a direct rip off of anything in the same way 'Love Me' was to 'Fame', the song sounds like one you've heard a thousand times before and have long since grown bored with.

The video is probably trying to make us sympathise with the band, or perhaps it's satire that has totally missed the mark? Either way, the criticism offered in the video pretty perfectly sums up the band. Pretentious, unconvincing emo lyrics, and genuinely laughable.

Watch the video below, if you feel you absolutely have to.


Monday 15 February 2016

Catfish and the Bottlemen - Soundcheck

Catfish and the Bottlemen - Soundcheck

New Single



Another mediocre, all black wearing indie band make their return

Sounding exactly like every other Catfish and the Bottlemen song, this is yet another forlorn, bland indie love song that is trying to make itself into a stadium anthem. Not forgetting the mentions of smoking, small towns etc, the fact we far from need yet another Oasis sound alike band seems ignored by Catfish and the Bottlemen. Van McCann himself mentioned that the song was one they rehearsed quickly, something that definitely comes through in the song. Repetitive is possibly the kindest way to describe it, Maybe something of a song that will grow on you, but more likely than not it'll sound even more average the more it's heard

I would write more, but honestly this track was so incredibly dull I spent the duration of it being distracted by clickbait articles.

I normally put a link below, but it's really not worth your time.





Monday 1 February 2016

Where The Light Gets In - Primal Scream, Sky Ferreira

Where The Light Gets In - Primal Scream, Sky Ferreira


Primal Scream and Sky Ferreira have teamed up together to give some indie cheer to this coming month.

Slightly psychedelic, Bobby Gillespie voice still hold up as ever on this timeless sounding track, but the addition of Sky Ferreira's almost melancholic vocals really set this song ahead. Maybe not a track to immediately fall in love with, but definitely one that will grow on pretty much any listener.

Where The Lights Get In marks the first Primal Scream release since 2013. New album, Chaosmosis, will be released 18th March this year.

Listen to the track below:




Monday 11 January 2016

"He's Chameleon, Comedian, Corinthian and Caricature"

"He's Chameleon, Comedian, Corinthian and Caricature"

An ode to David Bowie



It was only on Friday that I was joking with a friend that, sure David Bowie was probably some sort of immortal extraterrestrial being, he'd likely outlive us 18 year olds. With a heavy heart I realised how wrong we were this morning as I checked my twitter feed - the Starman is dead, ground control can no longer reach Major Tom. The world felt an awfully empty place as I wept bitterly before having to leave for school.

Everything Bowie did felt so iconic. He was a walking artistic masterpiece, constantly reinventing himself, the master of change.His hearts and minds reached out to the hearts and minds of countless people for over 50 years, and will continue to do so for long afterwards, Few artists have had the longevity Bowie has had, and still be able to come out with chart topping songs and albums, Most bands of the 60s and 70s gave up on putting out new music around the mid 90s, choosing instead to feed off nostalgia, something to which Bowie never succumbed.

But even I, someone born at the death of the last millennium, listen to Bowie's music, it's hard to escape how timeless it feels. The emotions purveyed still ring true and feel relevant today. Many of his albums were released long before my birth, but listening to Rebel Rebel now, it still strikes a chord within me, Timeless music that transcends the decades is so rare to find, yet Bowie perfected this art.

The bands and singers Bowie has influenced, and will influence years from now, are immeasurable. His influences (as showcased particularly on his 1973 cover album Pinups) have inspired and broadened the music tastes of many too. In my own case, were it not for seeing his cover of White Light/White Heat, it would've taken me much longer to ever come around to hearing The Velvet Underground.

It's impossible for me, or anyone, to measure the impact David Bowie has had on music, and pop culture in general. I was raised on his music, thanks to both of my parents, My dad spent much of my childhood talking about Ziggy Stardust and David Bowie to me (I would be seven before I figured out that they were the same person), dissecting in depth each lyric and instrumental.

I would be 12 before I truly explore Bowie for myself, seeing him perform Starman on a Top Of The Pops rerun. His bright orange hair and porcelain white skin made him look totally alien to me, dressed in a skintight leotard. I was mesmorised, I was obsessed, I stole all the albums of his my dad had and listened to nothing but him for days on end. (It was around this time a I also first watched Labyrinth, and found myself confronted with the infamous 'Bowie Bulge'. Love still prevailed)

At 16 I got a record player for my birthday, and with it I explored every record my parents still had while I waited to save up for a few of my own, Every Bowie album up until the mid 80s was now at my fingertips, in perfect condition. This included a copy of Station To Station that traveled from Turin to Dublin under my dad's arm in 1982, unscathed despite the long journey, flight delays and snowstorms in both Italy and Ireland. Afternoons were spent lying on my bed, doing naught else than catching up on almost fifty years of musical history.

It's hard to explain the importance of Bowie in my life, or in anyone else's for that matter, He was an outsider, a total alien (quite literally, as The Man Who Fell To Earth proved). There was unity, a sense of belonging in his music that appealed to my teenage self. There's nothing more comforting than hearing a mantra of "you're not alone" blaring through your ears during those dark teenage years.

But ultimately, as the world was cruelly reminded this morning, even gods can be mortal. It's unlikely the world will ever see the likes of David Bowie again, and it is far the worse for his loss. But the curtain must close sometime, and the lights must come back on eventually.


"Perhaps you're smiling now,
Smiling through the darkness"

David Bowie
8/1/16 - 11/1/16
RIP